The 2014 hit “Fancy” by Iggy Azalea featuring CharlieXCX was an instant  number 1 on the Billboard Top 100 chart. One of the main reasons for this was the jumpy beat which caused palpitations in reggae and hip hop. The beat was coproduced by The Invisible Men (Jason Pebworth, George Astasio, and Job Shave) and The Arcade (Kurtis Mckenzie and Jon Mills).

More After The Jump…

Brooklyn artist Jidenna, signed to Janelle Monae’s Woodland Records, put a Cab Calloway effect over the entire beat.  The visual to “Classic Man” was refreshing to the eyes, in terms of opposing how black men are portrayed by the media. In his three piece suit, Jidenna peacefully resolves a “Stop and Frisk” encounter.

‘I’m a Classic man

You can be mean when you look this clean

I’m a Classic man

Calling on me like a young OG

I’m Classic Man

Your needs get met by the street, elegant old fashioned man

Yeah baby I’m a Classic Man”

With a Jacob Miller swag, Brooklyn artists Ily Culcha and Isaac Faith,  (Youth Black Faith Label) put a “Lion of Judah” stamp for “Rastafari” over the production in “Rastaman Refix.” Waving the banner red, gold and green they discuss Nyabinghi chants over firewood, health and nutrition and overcoming Babylon’s systemic oppression.

“I’m a Rastaman

You can be mean 

When you live this clean

I’m a Rastaman

Collard green, beans, I don’t want no meat

I’m a Rastaman

Really Natty Bongo, INI not no Fashion Dread

Nah, I’m a Rastaman”

The visual features  Empress Black Pearl and children in cultural fashion. Most symbolic is the little boy with a Kente cloth cape, representing the power in the Pan African view. Scenic natural images of Brooklyn’s Prospect Park and of Haile Selassie I the First,  flow well with the lyrics of the song.

It’s interesting to see how the production evolved with socially conscious song lyrics and visual representations.
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