Search results for: “shenseea”

  • WATCH THIS: Shenseea “Jiggle Jiggle” Official Music Video

    WATCH THIS: Shenseea “Jiggle Jiggle” Official Music Video

    Debut Video From Dancehall’s New Girl On The Block

    Brandishing a criss baseball bat customized with her Twitter handle, Shenseea and a crew of twerktastic dancing girls take over an automobile scrapyard and basically wreck shit. That’s the plot summary for “Jiggle Jiggle,” the latest addition to the burgeoning subgenre of bruk-out dancehall videos. And so what if it’s not all that different from other booty videos? As a wise man once said, “If it ain’t broke, don’t fix it”—or, in this case, smash it with a baseball bat. An RD Studios production, “Jiggle Jiggle” is Shenseea’s first music video, a visual interpretation of the likkle-but-tallawah young artist’s breakout hit, produced by Romeich Entertainment and distributed by 21st Hapilos. Shenseea stands out from most of the other tough-talking dancehall damsels through sheer intensity. “Me lyrically bad!” she asserted in a recent IG post. “Yeah me lyrics dem EXPLICIT, Punch lines so refine like the sand when u sieve it.” So when she says “Keep up!” you’d better believe she’s not just talking to her lover. Video After The Jump… (more…)

  • DJ Frass Sees “No Limit” for Dancehall in 2021

    DJ Frass Sees “No Limit” for Dancehall in 2021

    Moyann & Shenseea Power The New Sunroof Riddim

    “Artists like Koffee and Shenseea are opening the door for younger artists like myself,” says rising dancehall star Moyann, who covers the March edition of Tidal’s Murda She Wrote dancehall column by Reshma B. “Everything starts from somewhere.” It’s been three years since Moyann first broke onto the scene as a fresh-faced teenager, but she’s been on her musical journey for a lot longer than that. “This has always been a passion for me, from a tender age,” Moyann tells Reshma B. “I’d always be singing in the mirror, visualizing myself as an artist, performing in front of my mom, my sister, my dad.” In 2018 the Montego Bay native borrowed her sister’s phone and recorded a video of herself spitting lyrics while playing a riddim on her own phone. Thankfully she didn’t overthink anything and DM’d the homemade demo to producer DJ Frass. “I was like, ‘OK, I’m just gonna send it and if it happens, it happens.’” Frass soon hit her back and the rest is history. Her latest song, a massively catchy collab with Shenseea, lifts Moyann to a new level and defies the narrative that female artists don’t support one another. “Haters vex ca’ me bless but me nah stress,” the girls sing. “Me have one live fe live and me nah have one fuck fi give.” Say it louder, girls! Audio & Video After The Jump…

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  • Vybz Kartel Speaks Of Dons and Of Divas

    Vybz Kartel Speaks Of Dons and Of Divas

    Crocodile Skin Sneakers

    Little known fact: the very first post on Boomshots.com went live February 10, 2009. The title? “Don’t Ramp With Kartel.” Adidja Palmer and Grace Hamilton’s smash collab “Rampin Shop,” an X-rated excursion on Ne-Yo’s “Miss Independent” version, was taking the streets by storm and had the internet  spinnin’ like a satellite dish—just as a new platform for dancehall and reggae was born. VIBE magazine had not yet ceased print publication but the mighty Boomshots brand, which started as a monthly column in Quincy Jones’ glossy hip hop magazine, was already leveling up on the digital frontier—at the same moment Kartel and Spice were about to elevate hardcore dancehall to new heights. Over the years Boomshots and Kartel have kept in touch. The first of our timeless interviews, “Reasoning with Di Teacha,” was just the beginning. Boomshots founder Rob Kenner published a profile of Kartel in The New York Times in 2011. From time to time we would link up with the Worlboss and various representatives of the Portmore Empire—search BoomshotsTV for a refresher if you’re playing catch-up. Back in 2013 we held a reasoning via email due to circumstances beyond our control, which would be Kartel’s first interview behind bars. He has come a long way since then. Check the stats: Over half a billion streams, 100+ #1 songs in Jamaica, not to mention all the dancehall stars he brought to the world’s attention, from Popcaan to Tommy Lee to Gaza Slim—and the list goes on straight up to Sikka Rhymes and UTG. And don’t forget the international collabs with the likes of Rihanna, Missy, Beyonce, Nicki Minaj, Major Lazer, Akon, and Eminem. And just the other day Kartel received his first solo plaque from the Recording Industry Association of America for the certified gold single “Fever” off his album King of the Dancehall. In honor of this accomplishment, not to mention the release of his latest magnum opus, Of Dons & Divas, the time seemed right to catch up and hold a reasoning with Adi. Interview After The Jump…
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  • Blacka Di Danca Celebrates Earthstrong at Negril Village

    Blacka Di Danca Celebrates Earthstrong at Negril Village

    It’s Just Dancing Party Presents A Fun-Filled Earthstrong Celebration for New York Top Tier Choreographer

    Most great events encompass various aspects that lead to the gestalt of the overall experience.  Events that merge disciplines are usually the most fun because they create a holistic cultural experience. The It’s Just Dancing Crew went all out on Friday, December 21, when they hosted a birthday bash for touring choreographer and now emerging artist, Blacka Di Danca, with music, choreography and fine dining at Negril Village – Rhum Shop.

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  • PREMIERE: Rvssian Presents “Bashment Time” Riddim Megamix

    PREMIERE: Rvssian Presents “Bashment Time” Riddim Megamix

    Fresh Juggling From The Head Concussion Family

    Tarik “Rvssian” Johnston is one of a handful of producers who has truly shaped the sound of contemporary Jamaican music. From his early hit with Vybz Kartel “Life Sweet” to the anthem “Straight Jeans & Fitted” the recent “Krippy Kush” Remix with Farruko, Bad Bunny & Nicki Minaj, his track record speaks for itself. Today Boomshots proudly premieres his Head Concussion label’s latest juggling, the “Bashment Time” riddim, distibuted by 21st Hapilos. “I was in studio with Konshens and I told him I wanted to give him the original elements of Dancehall,” Rvssian recalls of the creative process. “I made the riddim in like 5 minutes literally. He wrote ‘Tan Up’ and I decided to make it a riddim with various artistes.” Of course his longtime bredren Chan Dizzy represents on the riddim. “Chan Dizzy is a Head Concussion artiste. We first linked in 2007 and history from there. He had his first major hit ‘Strange Face’ in 2009 then ‘Hello Badmind’ etc…” The rest of the riddim features heavyweights like Tarrus Riley, Chris Martin, Charly Black, Savage, and Shenseea. “She is super fast and talented,” says Rvssian of the hottest new girl in the game. “Always easy and great to work with.” Unfortunately his old sparring partner Kartel wasn’t able to join in on this one, but Rvssian looks forward to the day whent he Worldboss touch the road again. “It would help the entire industry.  Because we will have another major act to the industry available to help push the genre to new boundaries.” Check out the new juggling and remember to support the ting. Audio After The Jump…
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  • Three Female Reggae Artists To Watch In The U.S.

    Three Female Reggae Artists To Watch In The U.S.

    More Lionesses On The Rise

    Recently there has been a rise in the number of female dancehall and reggae artists in Jamaica. On the roots and culture side you have Jah9, Kelissa, Hempress Sativa and Xana Romeo garnering international attention, and on the dancehall side there is Spice, Shensea, and Ishawna setting dances and stages shows on fire. But that rise in female artists is not limited to Jamaica, here in America there are three talented young women from the Tri-State area of NJ, NY, and CT ready to make their mark in the music industry. Half The Story Has Never Been Told… (more…)

  • Breakthrough Artist of The Year: Jahmiel

    Breakthrough Artist of The Year: Jahmiel

    When A Great Man Rise… Recognize

    Ever since the days when Sugar Minott strung up his Youth Promotion sound system, reggae music has been about who’s got next. This year the answer was clear, as we witnessed the emergence of a fresh voice that had been crying out for a few years now, but which suddenly became indispensible, as if it had been, and would be, around forever. A voice for the ages. Jahmiel rose to prominence on the strength of a record released in late 2015 entitled “Gain The World,” Showing no signs of losing his soul, the youth Jahmiel dropped gems like “Where Were U” and “Great Man,” investing dancehall music with wisdom beyond his years as he blended the rock-solid reasoning of roots reggae with the freshest digital rhythm tracks. Somehow he accomplished all this without sounding preachy or cliché. Citing Sizzla and Buju Banton as early inspirations, Jahmiel’s sound is utterly his own and his future is wherever he wants to take it. Sing out youth—we’re all listening. Audio After The Jump…
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