Posts tagged "Techniques"

WATCH THIS: Chronixx “Majesty” Official Music Video

WATCH THIS: Chronixx "Majesty" Official Music Video

Chronixx Chooses Love Over Lust

Inspired by the Studio One Soul Selection, I’ll Be Around” by Otis Gayle as well as The Techniques“Queen Majesty,” Chronixx song “Majesty” is a beautiful love ballad from the “Roots and Chalice” mixtape, a collaboration with Federation Sound. The lyrics emphasize developing a spiritual before physical connection which opposes  the message perpetuated through  popular music today—across all genres. The emphasis of a mental and emotional bond between a man and woman, are woven intricately throughout the lyrics of the song. Messages of monogamy stand out boldly along with the paradigm that true love should emanate from a pure and humble place. Now fans have the opportunity to view the visual interpretation of this song. Video After The Jump…

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HEAR THIS: Christopher Martin, Chevaughn, D-Major & Ice Man “Till You Do Me Right”

Techniques And Truck Back Connect For A Pretty Song About How Love’s Not Always Pretty

Love is lovely, and war is kinda ugly. But what about the space in between? “Till You Do Me Right” explores that no man’s land with sensitive vocals from a quartet of voices. But we can’t stop asking ourselves—what if all these guys are singing about the same girl? That would explain why there’s so vexed! Audio After The Jump…
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Fuzzy Jones Gets His G.O.O.D. Music Debut

That’s The Late Great Don Of Dubplate Intros Nicing Up Kanye West’s New Single “Mercy”

Kanye West has the internet going nuts with his latest G.O.O.D. Music release, “Mercy.” Aside from Yeezy himself, the song features Big Sean, Pusha T, and 2 Chainz. But the voice you hear at the top of the track may be less well known to rap heads—even though he’s a legend in the dancehall. That’s Fuzzy Jones, whose gift for manic bugged-out braggadoccio made his dubplate intros a must for any selector looking to execute a soundbwoy in a clash situation. Before his death in 2005—when he was hit by a car while riding his bike near Arrow’s dub studio in Kingston, Jamaica—Fuzzy became so well known that his voice was immortalized on numerous soundclash-themed records like the classic King Tubby’s disc seen above. Read on to find out where the “Mercy” sample came from…
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The Techniques Top 21

21 Reasons Why The Late Great Winston Riley’s Music Can’t Stop Play

(Photo By Luca D’Agostino – Rototom Sunsplash)

Late last night came the grim news that Winston Riley—one of the last true living legends in the reggae industry—has died. Riley made musical history both as a singer and a producer over a half-century span. Starting as a founding member of the vocal group The Techniques, he went on to establish the prolific and pioneering Techniques label, which released the instrumental hit “Double Barrel” that went on to top the UK charts. He created the immortal Stalag riddim, a strong contender for the greatest reggae instrumental of all time. He produced breakthrough hits by artists as diverse as General Echo, Tenor Saw, Super Cat, Sanchez, Red Dragon, Buju Banton, and Spragga Benz, just to name a few. He had been attacked at home last November, suffering gunshot wounds in the head and arm from which he never fully recovered. “Turning into a producer is a very good ting,” he told the Jamaica Gleaner in 2008. “Yuh achieve a great goal, but is not an easy road.”
In recent years he’d been working on refurbishing the Techniques headquarters on Kingston’s Orange Street into a museum commemorating the music to which he devoted his life. His efforts were rewarded with senseless violence. Upon hearing the news, the only thing that came to mind was one of the less famous cuts from Mr. Riley’s classic Stalag 17 album:

Brigadier Jerry “What Kind Of World” (1985)

“What type of world are we living in?” Briggy asks, his voice filled with righteous indignation. “Jah know it is a sin…”
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