Posts tagged "King Jammy$"

Macka Diamond: Diamonds Are Forever

Macka Diamond: Diamonds Are Forever

 Macka Diamond Keeps Getting Better With Time

Dancehall artist Macka Diamond plans to take her career to the next level in 2017.  With the release of a new single, “25 inches,” her signature high-pitched, breathy vocals sound more fierce than ever. The dancehall arena is for the survival of the fittest and Macka shows that she is fully equipped with promotional photographs in full body paint. Collaborating with the best producers, she aspires to drop a one drop album and embark on a U.S. Tour. This diamond shows clearly shows that she is cut by a cloth of longevity. We spoke to Macka Diamond about how she became an empowered woman in dancehall. Interview After The Jump

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Busy Signal “Fresh From Yaad” Album Review

Busy Signal "Fresh From Yaad" Album Review

The Newly Energized Entertainer Hints That A Busy Signal U.S. Tour Is In The Works

Reanno Gordon, Busy Signal continues to stand out as an artist in 2017. He stepped out onto the musical scene in 2002, modeling his career after international reggae icon, Bounty Killer.  Now he has an even clearer vision for his future with his new VISA status. In January, Busy Signal visited New York for a quick media run with  Ebro Darden, Laura Styles, Funk Masterflex,Bobby Konders and Jabba for Hot 97 FM and Reshma B for Boomshots TV (four-part interview at the end of article) to discuss his new EP, Fresh From Yaad.  Following this, Busy embarked on an European Tour and this week he revived up his fans in the U.S. with a tweet:  “Coming to a city near you. Wherever in world you are! ASAP- Turf President.” In light of the impending tour, this article will serve to give an in-depth review of the Fresh From Yaad EP. Album Review After The Jump

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Welcome To Jamrock Reggae Cruise 2: Twice As Nice

Welcome To Jamrock Reggae Cruise 2: Twice As Nice

They Said “What Happens On The Cruise Stays On The Cruise”—But They Were Wrong!

Having successfully completed its second annual mission, Damian Marley’s Welcome to Jamrock Reggae Cruise goes down in history as another amazing experience for lovers of reggae and dancehall music. This year featured not one but two back-to-back cruises loaded with no fewer than 23 different acts—not including guest artists—plus another 10 “sound systems,” three of whom engaged in an epic battle dubbed the first ever “sound clash on the sea.” Not a single detail was overlooked: from the movies showing in the ship’s theater to the music playing in the hallways when you step out of your cabin—even the buckets of Guiness sold hot or cold—everything was chosen to appeal to lovers of Jamaican culture. Roughly half the passengers hailed from the United States, with twenty or so other nationalities representing the UK, Europe, Asia, South America, the Pacific Islands, and of course the Caribbean. Rumor has it that there was even an early morning Niyabinghi session on the uppermost deck of the ship at dawn. For the second year in a row, the Boomshots team was on board to catch all the action. Check out the photo gallery above and watch this space for highlights of performances by Super Cat, Ragga Marley, King Jammy’$ Super Power and much much more. Video After The Jump…
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HEAR THIS: Popcaan “Fix Tings”

HEAR THIS: Popcaan "Fix Tings"

PopSkull Buss Some Bwoy Head Inna Many Style

Over the past four years Popcaan’s artistry has grown by leaps and bounds. Not so long ago he was considered one of Kartel’s more promising proteges, poppin’ off with “Clarks” and moving forward into “Raving” and “Party Shot” before the big buss that was “Only Man She Want.” Since that time the Unruly Boss has been in fast forward mode #TR8. Although his 2014 debut album was criminally slept on by Grammy voters, Where We Come From is our consensus pick for dancehall disc of the year. And on newer cuts like “R.I.P.” Andrae Sutherland revealed a more sensitive side. But do not get it twisted. This is the same youth who used to name Fry Yiy. And Just in case you forgot why him name “Unruly,” Popcaan linked with Baby G to flex some wicked bad- man lyrics over a tasty update of one of King Jammy’s vintage digi riddims that’s dripping with delicious delay.  As Poppy explains on “Fix Tings,” he will still “crawl pon him belly like a crocodile / Fi buss bwoy head inna many style.” He relates his tales of murderous mayhem with a light-hearted touch of good humor, but the message comes through loud and clear. Don’t make him pick you up pon dah telescope yah. Him have links all over. Audio After The Jump… Read more »

WATCH THIS: Live Pon The Reggae Cruise 2015

WATCH THIS: Live Pon The Reggae Cruise 2015

They Said “What Happens On The Cruise Stays On The Cruise”—But They Were Wrong!

Having successfully completed its second annual mission, Damian Marley’s Welcome to Jamrock Reggae Cruise goes down in history as another amazing experience for lovers of reggae and dancehall music. This year featured not one but two back-to-back cruises loaded with no fewer than 23 different acts—not including guest artists—plus another 10 “sound systems,” three of whom engaged in an epic battle dubbed the first ever “sound clash on the sea.” Not a single detail was overlooked: from the movies showing in the ship’s theater to the music playing in the hallways when you step out of your cabin—even the buckets of Guiness sold hot or cold—everything was chosen to appeal to lovers of Jamaican culture. Roughly half the passengers hailed from the United States, with twenty or so other nationalities representing the UK, Europe, Asia, South America, the Pacific Islands, and of course the Caribbean. Rumor has it that there was even an early morning Niyabinghi session on the uppermost deck of the ship at dawn.
For the second year in a row, the Boomshots team was on board to catch all the action. Check out the photo gallery above and watch this space for highlights of performances by Super Cat, Ragga Marley, King Jammy’$ Super Power and much much more. Video After The Jump…
Read more »

Better Days: Reasoning With Steely & Clevie

Remembering Wycliffe “Steely” Johnson Aug. 18, 1962 – Sep. 1, 2009

Two The Hard Way: Steely & Clevie did it real big during dancehall’s digital era.

Even after reading the sobering words of his musical sparring partner Cleveland “Clevie” Browne in this Sunday’s Jamaica Observer, the untimely death of ace Roots Radics keyboardist and pioneering dancehall producer Wycliffe “Steely” Johnson still comes as a terrible shock. The 47-year-old musician, composer, and groovemaster has played such a vital role on so many classic reggae recordings—from Gregory Isaacs’ immortal “Night Nurse” to the ubiqitous Punany riddim to “Sorry” (by “the other Foxy Brown”) to dancehall blasters like Tiger’s “When” and Shabba Ranks’s “Ting a Ling” even soulful cuts like Beres Hammond’s “Double Trouble” and the hit remake of Dawn Penn’s “No No No”—that it’s hard to imagine Jamaican music without him. [UPDATE: V.P.’s new Reggae Anthology pays tribute to Steelie & Clevie] Read more »