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WATCH THIS: Troublesum & Ronnie Homer ft. DJ Spider “Push” Official Music Video

WATCH THIS: Troublesum & Ronnie Homer ft. DJ Spider "Push" Official Music Video

On Labor Day 2020, Will You Push Yuh Bumpa Pon Me?

Labor Day 2020 is here, and without a big parade on Eastern Parkway, we all have to find our own ways to celebrate. Good vibes coming from Troublesum and Ronnie Homer featuring DJ Spider, this one is called “Push.” The uptempo feel-good video Was shot by Deus Beni and features beautiful women in abundance enjoying themselves frolicking alongside the featured acts beachside and streetside. “Push” is currently available on all major streaming platforms. Is it still cool to push yuh bumpa pon me if I promise to wear a mask? Video After The Jump…

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WATCH THIS: Super Cat and Salaam Remi “Push Time” Official Music Video

WATCH THIS: Super Cat and Salaam Remi "Push Time" Official Music Video

The Wild Apache Rides Again

Between the viral pandemic, murderous police, and corrupt politricksters shamelessly fanning the flames of racial hatred, the first eight months of 2020 have been absolutely dreadful. In times such as these it helps to hear from people who have survived hard times before. People who know what it means when the “Ghetto Red Hot.” People who know that when times get rough, Some tan so back while others Rally back.” People like William Maragh aka the Don Dada aka the Wild Apache aka Super Cat. One of the first dancehall legends to link with hip hop superstars like Heavy D, Puff Daddy, and Biggie Smalls, Super Cat made an indelible impact on both cultures with his charismatic style, rude boy demeanor, and cultural lyrics. Just in time for Labor Day Weekend in Brooklyn—and elections in Jamaica— Super Cat has joined forces with producer extraordinaire Salaam Remi to release his first  new music in over a decade. “Since the 90s Super Cat and I have always been able to reason,” says Remi, who’s renowned for his work with artists as diverse as Nas, Amy Winehouse, and The Fugees. “And recently reasoning about the state of the communities and worldwide unrest led to this song.”

The new single, “Push Time”—set to Remi’s adaptation of the Wild Apache classic “Cabin Stabbin“—speaks eloquently to the political climate which surrounds us. The song will be featured on Remi’s upcoming LP Black on Purpose which also features NaS, Jennifer Hudson ,Case, Teedra Moses, Bilal, Busta Rhymes, Chronixx, Spragga Benz, MuMu Fresh, and Doug E Fresh along with more from Black Thought, Stephen Marley, Cee-Lo Green, and Anthony Hamilton. As Mr. Maragh once told me, “It’s not like we just get up this morning and start sing about gun. It’s something that we LIVE through and survive, and who didn’t survive DIE, and who didn’t die go to prison.” Super Cat has had to learn the hard way, but he’s vowed to share the fruits of his experience so that others will not make the same mistake twice. “I & I graduate from GHETTO-ology,” he says. “In my time I had to stop go to school because the politics friction was breaking out in the school. Even TEACHER was shot in the school compound. Guns was swinging around like crazy. It’s not that we go to rude boy school and groom to become rude boy,” says Cat. “Rude boy ting it come to WE in the ghetto.” Check out the new video, shot in the streets of Hollis Queens under the watchful eye of Jam Master Jay, Tenor Saw, and Nico Demus, and the whole of the DJ in shut eye country. Respect in all aspect. Video After The Jump… Read more »

WATCH THIS: Jada Kingdom “Budum” Official Music Video PREMIERE

WATCH THIS: Jada Kingdom "Budum" Official Music Video PREMIERE

“Them call me Muma Heavy”

The Jamaican expression for someone who is not afraid to speak what’s on their mind is that they “nuh tek back chat.” That phrase describes Jada Kingdom perfectly. While she often speaks in a gentle voice, her words can be as soft as water or as hard as rockstone. “Full time we firm up we meds,” she sings on “Execution,” one of her deceptively delicate tracks from last year, shouting out the girls from her part of town, Kingston’s East Side. “Yo Rockfort, Harborview, Bull Bay, gal a St. Thomas, whole a E-Syde, mek dem know say we mad and bad.”

In the space of three years, Jada Kingdom has carved out a unique creative space for herself, nestled in a sweet spot somewhere between dancehall, R&B and pop. Her jazzy, neo-soul vocal style is more reminiscent of Erykah Badu than Lady Saw. And while she’s never afraid to show her vulnerability or to channel her pain into powerful art, she can turn the attitude up to 100 at the drop of a dime.

Today Jada embarks on a new phase of her burgeoning career, the release of her first single under a deal with  Diplo’s Mad Decent label. Fresh off the success of her mixtape E-Syde Queen: The Twinkle Playlist and features on Popcaan’s red-hot Yiy Change Fixtape and Vybz Kartel’s soul-baring To Tanisha Jada is perfectly poised for her moment. All she needs is a massive tune to kick things off. Something like, say, “Budum.”

“It’s been such a crazy year with the pandemic I just wanted to release a song that is fun and will make people happy and want to dance again,” says Jada Kingdom says about the track. “Hopefully ‘Budum’ will have everyone whining their waists and rocking their bodies again and help us to forget some of the craziness going on around us.”

Produced by the German-born, Jamaica-approved producer known as Emudio, “Budum” is the anthem that should be rocking ever late-summer fete from Uptown Mondays in Kingston to Notting Hill Carnival in London to the Eastern Parkway Labor Day Parade in Brooklyn. Even if your end-of-summer rave is a socially distanced house party, “Budum” is the soundtrack—a sexy blast of self-love and female empowerment from a Queen who knows her body is a Kingdom. Today Boomshots and VIBE premiere the visuals, directed by 300K.

“We just went for a fun, happy vibe for the video to reflect the song,” says Jada. “We also wanted to incorporate the cover art so we built out a crazy set literally overnight for that scene. ‘Budum’ is a track that makes people dance and feel good and hopefully the video makes people feel the same way.” Video After The Jump…
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WATCH THIS: Kabaka Pyramid “Nice Up Di Dance” Official Music Video

WATCH THIS: Kabaka Pyramid "Nice Up Di Dance" Official Music Video

Nice Up Di Dance

When I asked Clement S. Dodd, the founding father of the Jamaican music industry, which of his many recordings he was proudest of, the producer known as Sir Coxsone paused and stroked his white-whiskered chin. ”There is so much, getting back to ‘One Love’ and ‘Simmer Down,’ ” he said, mentioning two of The Wailers’ first big hits, recorded when a short-haired teenager named Bob Marley was living in a room behind Dodd’s studio. From legendary reggae bands like the Wailers and Burning Spear to the Skatalites, Studio One became Jamaica’s answer to Motown. Of all the great tracks he produced, Mr. Dodd finally selected his favorite. ”Real Rock,” he said, then began laughing. ”Oh God. ‘Real Rock’ really strong. It’s on top.”

Originally recorded by the ace Studio One reggae band known as Sound Dimension, the “Real Rock” rhythm track that has been used for countless classic tunes, from Willi Williams’ “Armagideon Time” (1977) to Dennis Brown’s “Stop The Fussing and Fighting” (1977). None was more entertaining than Michigan & Smiley’s “Nice Up The Dance.” Papa Michigan & General Smiley’s rollicking combination brings the joys of a live dancehall session to life. It takes a certain caliber of artist to handle a rhythm like the “Real Rock.” So when producer Jeremy Harding was challenged to remake the Michigan & Smiley 1979 classic for the forthcoming VP Records project Dancehall Anthems, there was really only one logical choice—Kabaka Pyramid. An ace lyricist equally adept at classic roots reggae, hip-hop, and dancehall, Kabaka does full justice to Michigan & Smiley’s original while infusing its classic verses with his own unique energy and verbal wizardry. Video After The Jump…
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WATCH THIS: Protoje ft. Wiz Khalifa “A VIBE” Visualizer

WATCH THIS: Protoje ft. Wiz Khalifa "A VIBE" Visualizer

Bares Vibes An’ Ting

You know how when you blaze a spliff in the morning and you hold A VIBE but then later on your forget what you did the whole rest of the day? Protoje’s new album is kinda like that. It’s titled In Search of Lost Time, and it’s rolling out via his Indigg Collective partnership with RCA. That’s a big deal since because when was the last time a Jamaican artist set up their own international joint venture? Take a minute, think about it, and let us know if you can think of anybody else ever. Protoje’s always been about his business. Back in 2016 he told Boomshots “If you can’t own your masters, lef’ the slaveship.” So he stuck with that vision and leveraged an agreement for himself and Indigg artists Lila Ike and Sevana. Respect is due for making moves to ensure that reggae music is treated with respect. Fresh off his collaboration with the Unruly Boss “Like Royalty,” Protoje is back with another high-profile combination. For the latest joint off In Search of Lost Time, Diggy links with Wiz for a smoked-out session that could only be called “A VIBE.” Check out the full interview with Protoje and Reshma B after the jump. Visualizer After The Jump…

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The ‘Marley’ Movie Premiere

The 'Marley' Movie Premiere

Reshma B Reporting From Emancipation Park in Kingston—April 19, 2012

This Friday, Kevin MacDonald’s acclaimed 2012 documentary film Marley will be re-released via virtual cinemas and drive-ins across the country as part of the year-long celebration of Bob Marley’s 75th anniversary. According to film’s distributor Blue Fox Entertainment, information about digital screenings of Marley can be found on MarleyMovie.com starting July 31. (Appropriately enough, Jamaica celebrates Emancipation Day on August 1.) The emotional and inspiring story follows Robert Nesta Marley from his upbringing in the rural Jamaican village of Nine Mile through his journey to Kingston’s tough Trenchtown neighborhood, where his musical career began. Featuring rare concert footage and exclusive interviews with Marley’s family and close friends, MacDonald’s goal was to get behind the legend and show us Marley the man. On April 19, 2012 the film had its Jamaican premiere at Kingston’s Emancipation Park, and I was one of the privileged few who attended the special screening. There were many VIP guests, including his wife Rita Marley and Island Records founder Chris Blackwell, who signed Marley to an international record deal, and of course Kevin MacDonald himself.  Video & Story After The Jump… 

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Koffee Opens Up About “Lockdown”

Koffee Opens Up About "Lockdown"

“Where Will We GO?”

There’s still a lot of time left in Summer 2020, but on this last day of July we are declaring Koffee’s “Lockdown” Boomshots official 2020 Summer anthem. Produced by Dane “Raygad” Ray from the Unruly camp, the song finds Koffee asking all of the questions everybody in the world is asking themselves right now. What will the future be like “when the quaratine thing done and everybody touch road?” As soon as we heard this tune we knew it was outta here! (That was way before we saw the video with cameos from Popcaan and Dre Island.) More than just a Covid-era contemplation, “Lockdown” is also a poignant love song that speaks to the challenges of romance during a time of viral pandemic. As such, it represents a milestone in Koffee’s catalog. At the ripe old age of 20, the youngest Reggae Grammy winner in history has given us her first love song—and without overthinking it one bit, she might just have given us a follow-up to rival her breakthrough smash “Toast.” When you hear Koffee sing “if you love me, you should let me…” it’s clear she is in her feelings on this one. Of course everybody wants to know who this song was inspired by, but all we can say about that is just cool. In her first interview since “Lockdown” dropped, Koffee tapped in with Reshma B via Instagram Live and spoke about the inspiration behind the tune.  Video After The Jump… 

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WATCH THIS: Tarrus Riley “Fresh Prince of JA” Official Music Video

WATCH THIS: Tarrus Riley "Fresh Prince of JA" Official Music Video

Pandemic Got You Feeling Blue? T-4000 To The Rescue!

Versatility is Tarrus Riley’s middle name. Just the other day he previewed a soul-stirring acoustic prayer called “Remember Me” that was inspired by the trying times all of us have been going through amidst this dreadful pandemic. That was a glimpse of Tarrus in Singy Singy mode, the world-class songwriter, Jimmy Riley big son. Today he’s flipping the script to T-4000 mode, Tarrus hip hop alter ego, with Fresh Prince of JA off the Money Matters / Dutty Rock productions juggling of the same name. This tune will have you rewinding back forward to 1992 when Will Smith was taking over the television as The Fresh Prince of Bel-Air. Check out Tarrus’ take on Will Smith’s funky fresh theme song, with a beat riddim produced by News, son of dancehall legend Papa Michigan (who also makes a cameo in the video). The visuals are giving us some serious Tippa Lee and Rappa Robert vibes. Even when times are dread—especially when they are—we all need to have some fun now and then. Video After The Jump… 

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Junior Gong Pon Di Strong

Junior Gong Pon Di Strong

Reasoning With Zilla 25 Years Ago

Damian Marley was never intimidated by great expectations. Born  on this day in 1978, the youngest son of Robert Nest Marley did not hesitate to follow in some very large footsteps, entering the music industry at an early age. He started out singing in a group called The Shepherds, along with the children of reggae stars Freddie McGregor, Judy Mowatt, and “Cat” Coore of Third World. Former Shepherd Shiah Coore still plays bass in Damian’s band to this day.

During the mid 1990s Damian stepped out as a solo performer under the name Jr. Gong. On January 23 1995 he passed through New York City to promote the album Positively Reggae, a compilation of conscious tracks by dancehall artists like Shabba Ranks, Mad Cobra, Bounty Killer, and Patra with proceeds going to benefit Leaf of Life, a Jamaican organization for HIV-positive children.

This photo, shot by Brian Jahn during the same press run, gives you an idea of what his hair looked like back then. Today his dreadlocks are so long he has to tuck them into a backpack when he plays soccer. I had a chance to reason with Damian that day for my Boomshots column in VIBE. He seemed like a cool youth at the time, but I had no idea this convo would be the start of such a long-lasting friendship. After all he’s accomplished since then, D remains remarkably chill. The interview has never been published in its entirely. 25 years later seems like as good a time as any. Big Up Jr. Gong. Blessings pon di strong. Interview After The Jump…
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Vybz Kartel Speaks Of Dons and Of Divas

Vybz Kartel Speaks Of Dons and Of Divas

Crocodile Skin Sneakers

Little known fact: the very first post on Boomshots.com went live February 10, 2009. The title? “Don’t Ramp With Kartel.” Adidja Palmer and Grace Hamilton’s smash collab “Rampin Shop,” an X-rated excursion on Ne-Yo’s “Miss Independent” version, was taking the streets by storm and had the internet  spinnin’ like a satellite dish—just as a new platform for dancehall and reggae was born. VIBE magazine had not yet ceased print publication but the mighty Boomshots brand, which started as a monthly column in Quincy Jones’ glossy hip hop magazine, was already leveling up on the digital frontier—at the same moment Kartel and Spice were about to elevate hardcore dancehall to new heights. Over the years Boomshots and Kartel have kept in touch. The first of our timeless interviews, “Reasoning with Di Teacha,” was just the beginning. Boomshots founder Rob Kenner published a profile of Kartel in The New York Times in 2011. From time to time we would link up with the Worlboss and various representatives of the Portmore Empire—search BoomshotsTV for a refresher if you’re playing catch-up. Back in 2013 we held a reasoning via email due to circumstances beyond our control, which would be Kartel’s first interview behind bars. He has come a long way since then. Check the stats: Over half a billion streams, 100+ #1 songs in Jamaica, not to mention all the dancehall stars he brought to the world’s attention, from Popcaan to Tommy Lee to Gaza Slim—and the list goes on straight up to Sikka Rhymes and UTG. And don’t forget the international collabs with the likes of Rihanna, Missy, Beyonce, Nicki Minaj, Major Lazer, Akon, and Eminem. And just the other day Kartel received his first solo plaque from the Recording Industry Association of America for the certified gold single “Fever” off his album King of the Dancehall. In honor of this accomplishment, not to mention the release of his latest magnum opus, Of Dons & Divas, the time seemed right to catch up and hold a reasoning with Adi. Interview After The Jump…
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WATCH THIS: Bob Marley “No Woman No Cry” 2020 Visuals

WATCH THIS: Bob Marley "No Woman No Cry" 2020 Visuals

A Fresh Look at a Classic Tune

Amidst outbreaks of viral pandemic and police brutality, the best thing anyone can say about 2020 is that it’s the year of Bob Marley’s 75th Birthday Celebration. And while the year has been terrible and dreadful, Bob Marley’s music has offered much-needed inspiration. The Tuff Gong’s 1984 greatest hits collection Legend has topped the charts every week since mid January when it knocked Stick Figure out of the top spot. What more relevant soundtrack for these trying times than Bob Marley. Today is July 1, International Reggae Day, and what better way to celebrate than by rediscovering one of Marley’s classic songs, “No Woman No Cry”? Today Boomshots and VIBE proudly present a brand new official music video, directed by Kristian Mercado Figueroa and shot in Jamaica and New York City. The poignant, verite visual tells the tale of a family divided by geography yet connected by love and a shared commitment to providing a better life for their youths. In Jamaica, a strong and loving Mother strives to look after her children while their Father works tirelessly as a cab driver in New York City, grooving to Bob Marley while he prepares a barrel to send home. Video After The Jump…
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Buju Banton Covers VIBE x Boomshots Collab

Buju Banton Covers VIBE x Boomshots Collab

A VIBE x Boomshots Collab: Redemption Songs
Jamaica’s Undefeated Champion Returns

Forward ever,” the late great Jacob “Killer” Miller used to sing. “And backward never.” Reggae music has always been about forward motion, the movement of Jah people, up from downpression and forward to Holy Mount Zion, because freedom is a must. Still, every once in awhile, it doesn’t hurt to take a glance over your shoulder, if only to take the measure of one’s progress. Just to remember the long walk, and to make sure that history is not a mystery. Some stories have got to be told. Story Continues After The Jump…  Read more »