Outernational

WATCH THIS: Tessellated ft. Crayon “No Ansa” Lyric Video PREMIERE

WATCH THIS: Tessellated ft. Crayon "No Ansa" Lyric Video PREMIERE

“Lock Off The Phone”

“No follow nobody,” advises Tessellated, the Kingston-born, L.A.-based songwriter, producer and multi-instrumentalist whose genre-bending creations include the 2017 Amindi K. Fro$t and Valleyz smash “Pine & Ginger” and Jada Kingdom’s breakout track “Banana.” His surging piano-driven “I Learnt Some Jazz Today” topped Billboard’s Jazz Digital Song Sales chart and appeared in an Apple AirPods commercial that’s up for an Emmy this weekend. Today Boomshots premieres the visualizer for his latest joint, “No Ansa” featuring a cheeky guest verse from Crayon out of Lagos, Nigeria. The song is all about a girl whose whining skill leaves a lasting impression, but then leaves you hanging on the line. “For the video, I really just wanted to capture the situation of the song in a whimsical kind of way,” says Tessellated. “The place we’ve all been, calling with no answer—and the monotony of trying again and again with the same result.” The song is the first single off of Tessellated’s upcoming EP, due November 6. With fans like Diplo and Camila Cabello, this guy’s phone is gonna be ringing off the hook. Video After The Jump… Read more »

Stefflon Don Speaks On Making a Dancehall “Move”

Stefflon Don Speaks On Making a Dancehall "Move"

“Something Hype, Feisty & Rooted”

Stefflon Don is getting back to her bashment roots with a new single called “Move,” produced by Troyon the dancehall hitmaker who crafted Sean Paul’s worldwide smash “Gimme The Light.” We linked the UK bad gyal who spoke on her latest release for Quality Control Music / Motown. “‘Move’ is inspired by the old me, the Steff that the world was first introduced to,” says the artist who made waves with her late 2016 mixtape Real Ting. “I felt like it was needed to come back with something hype, feisty and rooted.” Check out Stefflon Don’s latest video right now. Video After The Jump…
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WATCH THIS: Skip Marley ft. Ari Lennox & Rick Ross “Make Me Feel” Official Music Video

WATCH THIS: Skip Marley ft. Ari Lennox & Rick Ross "Make Me Feel" Official Music Video

“When it Hits You Feel No Pain”

The voice you hear speaking on the haunting first track of Skip Marley’s debut EP Higher Place is that of his legendary grandfather Robert Nesta Marley, who once went by the nickname “Skip” himself. “Is something higher,” Bob says in an excerpt from a 1979 interview, seeking to explain the magnitude of a profound worldwide reckoning that he knows is coming. “Is something no man can stop.” On the title track of his EP, which was released last week on Tuff Gong / Island Records, Skip sings of his own burning desire to go higher. So what is this higher place all about? “The betterment of mankind,” Skip explained during a recent telephone call from Miami. “A world community where each one do him part and live right and live upful as we should. And it nah go’ happen unless you make that decision today. Cause it start within you first. For yourself. And you have to take I and I higher, forward.” Think of this body of work as a call to action. Video After The Jump…
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WATCH THIS: Troublesum & Ronnie Homer ft. DJ Spider “Push” Official Music Video

WATCH THIS: Troublesum & Ronnie Homer ft. DJ Spider "Push" Official Music Video

On Labor Day 2020, Will You Push Yuh Bumpa Pon Me?

Labor Day 2020 is here, and without a big parade on Eastern Parkway, we all have to find our own ways to celebrate. Good vibes coming from Troublesum and Ronnie Homer featuring DJ Spider, this one is called “Push.” The uptempo feel-good video Was shot by Deus Beni and features beautiful women in abundance enjoying themselves frolicking alongside the featured acts beachside and streetside. “Push” is currently available on all major streaming platforms. Is it still cool to push yuh bumpa pon me if I promise to wear a mask? Video After The Jump…

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WATCH THIS: Super Cat and Salaam Remi “Push Time” Official Music Video

WATCH THIS: Super Cat and Salaam Remi "Push Time" Official Music Video

The Wild Apache Rides Again

Between the viral pandemic, murderous police, and corrupt politricksters shamelessly fanning the flames of racial hatred, the first eight months of 2020 have been absolutely dreadful. In times such as these it helps to hear from people who have survived hard times before. People who know what it means when the “Ghetto Red Hot.” People who know that when times get rough, Some tan so back while others Rally back.” People like William Maragh aka the Don Dada aka the Wild Apache aka Super Cat. One of the first dancehall legends to link with hip hop superstars like Heavy D, Puff Daddy, and Biggie Smalls, Super Cat made an indelible impact on both cultures with his charismatic style, rude boy demeanor, and cultural lyrics. Just in time for Labor Day Weekend in Brooklyn—and elections in Jamaica— Super Cat has joined forces with producer extraordinaire Salaam Remi to release his first  new music in over a decade. “Since the 90s Super Cat and I have always been able to reason,” says Remi, who’s renowned for his work with artists as diverse as Nas, Amy Winehouse, and The Fugees. “And recently reasoning about the state of the communities and worldwide unrest led to this song.”

The new single, “Push Time”—set to Remi’s adaptation of the Wild Apache classic “Cabin Stabbin“—speaks eloquently to the political climate which surrounds us. The song will be featured on Remi’s upcoming LP Black on Purpose which also features NaS, Jennifer Hudson ,Case, Teedra Moses, Bilal, Busta Rhymes, Chronixx, Spragga Benz, MuMu Fresh, and Doug E Fresh along with more from Black Thought, Stephen Marley, Cee-Lo Green, and Anthony Hamilton. As Mr. Maragh once told me, “It’s not like we just get up this morning and start sing about gun. It’s something that we LIVE through and survive, and who didn’t survive DIE, and who didn’t die go to prison.” Super Cat has had to learn the hard way, but he’s vowed to share the fruits of his experience so that others will not make the same mistake twice. “I & I graduate from GHETTO-ology,” he says. “In my time I had to stop go to school because the politics friction was breaking out in the school. Even TEACHER was shot in the school compound. Guns was swinging around like crazy. It’s not that we go to rude boy school and groom to become rude boy,” says Cat. “Rude boy ting it come to WE in the ghetto.” Check out the new video, shot in the streets of Hollis Queens under the watchful eye of Jam Master Jay, Tenor Saw, and Nico Demus, and the whole of the DJ in shut eye country. Respect in all aspect. Video After The Jump… Read more »

WATCH THIS: Protoje ft. Wiz Khalifa “A VIBE” Visualizer

WATCH THIS: Protoje ft. Wiz Khalifa "A VIBE" Visualizer

Bares Vibes An’ Ting

You know how when you blaze a spliff in the morning and you hold A VIBE but then later on your forget what you did the whole rest of the day? Protoje’s new album is kinda like that. It’s titled In Search of Lost Time, and it’s rolling out via his Indigg Collective partnership with RCA. That’s a big deal since because when was the last time a Jamaican artist set up their own international joint venture? Take a minute, think about it, and let us know if you can think of anybody else ever. Protoje’s always been about his business. Back in 2016 he told Boomshots “If you can’t own your masters, lef’ the slaveship.” So he stuck with that vision and leveraged an agreement for himself and Indigg artists Lila Ike and Sevana. Respect is due for making moves to ensure that reggae music is treated with respect. Fresh off his collaboration with the Unruly Boss “Like Royalty,” Protoje is back with another high-profile combination. For the latest joint off In Search of Lost Time, Diggy links with Wiz for a smoked-out session that could only be called “A VIBE.” Check out the full interview with Protoje and Reshma B after the jump. Visualizer After The Jump…

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Koffee Opens Up About “Lockdown”

Koffee Opens Up About "Lockdown"

“Where Will We GO?”

There’s still a lot of time left in Summer 2020, but on this last day of July we are declaring Koffee’s “Lockdown” Boomshots official 2020 Summer anthem. Produced by Dane “Raygad” Ray from the Unruly camp, the song finds Koffee asking all of the questions everybody in the world is asking themselves right now. What will the future be like “when the quaratine thing done and everybody touch road?” As soon as we heard this tune we knew it was outta here! (That was way before we saw the video with cameos from Popcaan and Dre Island.) More than just a Covid-era contemplation, “Lockdown” is also a poignant love song that speaks to the challenges of romance during a time of viral pandemic. As such, it represents a milestone in Koffee’s catalog. At the ripe old age of 20, the youngest Reggae Grammy winner in history has given us her first love song—and without overthinking it one bit, she might just have given us a follow-up to rival her breakthrough smash “Toast.” When you hear Koffee sing “if you love me, you should let me…” it’s clear she is in her feelings on this one. Of course everybody wants to know who this song was inspired by, but all we can say about that is just cool. In her first interview since “Lockdown” dropped, Koffee tapped in with Reshma B via Instagram Live and spoke about the inspiration behind the tune.  Video After The Jump… 

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WATCH THIS: Tarrus Riley “Fresh Prince of JA” Official Music Video

WATCH THIS: Tarrus Riley "Fresh Prince of JA" Official Music Video

Pandemic Got You Feeling Blue? T-4000 To The Rescue!

Versatility is Tarrus Riley’s middle name. Just the other day he previewed a soul-stirring acoustic prayer called “Remember Me” that was inspired by the trying times all of us have been going through amidst this dreadful pandemic. That was a glimpse of Tarrus in Singy Singy mode, the world-class songwriter, Jimmy Riley big son. Today he’s flipping the script to T-4000 mode, Tarrus hip hop alter ego, with Fresh Prince of JA off the Money Matters / Dutty Rock productions juggling of the same name. This tune will have you rewinding back forward to 1992 when Will Smith was taking over the television as The Fresh Prince of Bel-Air. Check out Tarrus’ take on Will Smith’s funky fresh theme song, with a beat riddim produced by News, son of dancehall legend Papa Michigan (who also makes a cameo in the video). The visuals are giving us some serious Tippa Lee and Rappa Robert vibes. Even when times are dread—especially when they are—we all need to have some fun now and then. Video After The Jump… 

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Vybz Kartel Speaks Of Dons and Of Divas

Vybz Kartel Speaks Of Dons and Of Divas

Crocodile Skin Sneakers

Little known fact: the very first post on Boomshots.com went live February 10, 2009. The title? “Don’t Ramp With Kartel.” Adidja Palmer and Grace Hamilton’s smash collab “Rampin Shop,” an X-rated excursion on Ne-Yo’s “Miss Independent” version, was taking the streets by storm and had the internet  spinnin’ like a satellite dish—just as a new platform for dancehall and reggae was born. VIBE magazine had not yet ceased print publication but the mighty Boomshots brand, which started as a monthly column in Quincy Jones’ glossy hip hop magazine, was already leveling up on the digital frontier—at the same moment Kartel and Spice were about to elevate hardcore dancehall to new heights. Over the years Boomshots and Kartel have kept in touch. The first of our timeless interviews, “Reasoning with Di Teacha,” was just the beginning. Boomshots founder Rob Kenner published a profile of Kartel in The New York Times in 2011. From time to time we would link up with the Worlboss and various representatives of the Portmore Empire—search BoomshotsTV for a refresher if you’re playing catch-up. Back in 2013 we held a reasoning via email due to circumstances beyond our control, which would be Kartel’s first interview behind bars. He has come a long way since then. Check the stats: Over half a billion streams, 100+ #1 songs in Jamaica, not to mention all the dancehall stars he brought to the world’s attention, from Popcaan to Tommy Lee to Gaza Slim—and the list goes on straight up to Sikka Rhymes and UTG. And don’t forget the international collabs with the likes of Rihanna, Missy, Beyonce, Nicki Minaj, Major Lazer, Akon, and Eminem. And just the other day Kartel received his first solo plaque from the Recording Industry Association of America for the certified gold single “Fever” off his album King of the Dancehall. In honor of this accomplishment, not to mention the release of his latest magnum opus, Of Dons & Divas, the time seemed right to catch up and hold a reasoning with Adi. Interview After The Jump…
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WATCH THIS: Bob Marley “No Woman No Cry” 2020 Visuals

WATCH THIS: Bob Marley "No Woman No Cry" 2020 Visuals

A Fresh Look at a Classic Tune

Amidst outbreaks of viral pandemic and police brutality, the best thing anyone can say about 2020 is that it’s the year of Bob Marley’s 75th Birthday Celebration. And while the year has been terrible and dreadful, Bob Marley’s music has offered much-needed inspiration. The Tuff Gong’s 1984 greatest hits collection Legend has topped the charts every week since mid January when it knocked Stick Figure out of the top spot. What more relevant soundtrack for these trying times than Bob Marley. Today is July 1, International Reggae Day, and what better way to celebrate than by rediscovering one of Marley’s classic songs, “No Woman No Cry”? Today Boomshots and VIBE proudly present a brand new official music video, directed by Kristian Mercado Figueroa and shot in Jamaica and New York City. The poignant, verite visual tells the tale of a family divided by geography yet connected by love and a shared commitment to providing a better life for their youths. In Jamaica, a strong and loving Mother strives to look after her children while their Father works tirelessly as a cab driver in New York City, grooving to Bob Marley while he prepares a barrel to send home. Video After The Jump…
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Buju Banton Covers VIBE x Boomshots Collab

Buju Banton Covers VIBE x Boomshots Collab

A VIBE x Boomshots Collab: Redemption Songs
Jamaica’s Undefeated Champion Returns

Forward ever,” the late great Jacob “Killer” Miller used to sing. “And backward never.” Reggae music has always been about forward motion, the movement of Jah people, up from downpression and forward to Holy Mount Zion, because freedom is a must. Still, every once in awhile, it doesn’t hurt to take a glance over your shoulder, if only to take the measure of one’s progress. Just to remember the long walk, and to make sure that history is not a mystery. Some stories have got to be told. Story Continues After The Jump…  Read more »

Bounty & Beenie on Verzuz: Jamaica’s version of ‘The Last Dance’

Bounty & Beenie on Verzuz: Jamaica's version of 'The Last Dance'

What Could Top This Legendary Moment?

 

The VERZUZ series led by Swizz Beats and Timbaland has been an oasis in the midst of a pandemic. Week after week, music lovers have enjoyed the nostalgia, the spontaneous comedy, and the opportunity to bring the proverbial roses to their favorite artists. 

The anticipation was at a fever pitch when it was announced that dancehall giants, Beenie Man and Bounty Killer, would headline VERZUZ for a Memorial Day soundclash. 

Excitement mixed with anxiety. Dancehall fans have always wanted our music to receive its proper due on the global stage. It is a great genre that has birthed hip-hop, reggaeton, Afrobeat, influenced the sound of songs on the top 40 but does not always receive its rightful recognition. 

For these legendary artists, their fans, and dancehall culture overall, the stakes were high, to say the least. Would the VERZUZ audience, primarily Hip-Hop and R&B fans, receive these giants well? Would their misunderstanding—or even worse, ridicule—lead to embarrassment? Story Continues After The Jump…
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