Monthly archive October, 2016

WATCH THIS: Raging Fyah “Dash Wata” Official Music Video

WATCH THIS: Raging Fyah "Dash Wata" Official Music Video

Go Ahead And Go Chasing Waterfalls

The latest single off Raging Fyah’s third album, Everlasting, has a brand new splashy video shot in the most amazing waterfall this side of Niagra—and with a tune like this you won’t need Viagra. You see, Raging Fyah’s song, producde by Lamar “Riff Raff” Brown, isn’t actually about water per se. It’s sorta like a metaphorical kinda thing—or is that a simile? Remember when Ludacris dropped that “Splash Waterfalls” joint? This is kinda like that, only reggaematically inclined. Why not just watch for yourself? Video After The Jump…
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HEAR THIS: Willi Williams ft. U-Roy “Miss Cutie Cutie”

HEAR THIS: Willi Williams ft. U-Roy "Miss Cutie Cutie"

Foundation Artists In Action

Singer-songwriter Willi Williams’ 1979 hit “Armagideon Time” is forever enshrined in the reggae canon. Perhaps the most famous song on Studio One’s immortal Real Rock rhythm, Williams’ original was covered by seminal UK punk band The Clash that same year. Now the foundation singer has teamed up with the godfather of Jamaican deejays, U-Roy, and the Studio One house band the Soul Vendors for a new single “Ms. Cutie Cutie,” released through Williams’ own Drum Street label. This contemporary lovers rock track is a combination version of Williams’ “Natural Beauty,” both of which are available from all major digital distribution services and will be included on a full length release later this year, all backed by the Vendors. “My first recording was ‘Calling’ at Studio One in the late 1960s, and the Soul Vendors were Mr. Dodd’s house band at the time, working with every major act and helping create the Jamaican song book,” Williams explained. “The Vendors played on tracks from my Studio One album Armagideon Time, but this was the first time since then that we got in the studio and really worked together. I’ve been friends with U-Roy since the early 70s but we’ve never recorded together.” Audio After The Jump… Read more »

HEAR THIS: Maximum Sound “Royal Step Riddim” Megamix

HEAR THIS: Maximum Sound "Royal Step Riddim" Megamix

In Comes Frenchie With A Thing Called Roots Plus Culture

Over the past couple of decades Maximum Sound has distinguished itself as one of the more dependable modern reggae imprints when it comes to consistent high-quality music. Frenchie, the elusive producer behind the label, was born in France before relocating to the UK. His sound ranges from vintage dancehall throwbacks like the “Tin Mackerel Riddim” to heavy roots rock selections like their latest, the Royal Step—a co-production with Italo-Jamaican dubmaster Alborosie. Anchored by a Morgan Heritage joint entitled “Conscious Revolution” that’s strong enough to become a fixture of the Grammy-winning band’s live set moving forward. Alborosie steps up next with an armagideon selection called “Tearful Days,” followed by a Randy Valentine x Exco Levi combination, wicked tracks from Anthony B and Gappy Ranks, even a melodica version courtesy of next-gen dub rocker Addis Pablo. Check out the brand new megamix and get used to this steppers riddim—it sounds like it could play for the next 1000 years or so.  Audio After The Jump… Read more »

Boomshots Big Up: “Who Nuh Know Bella?”

Boomshots Big Up: “Who Nuh Know Bella?”

Who’s That Gyal?

She’s lived life as a coked-out fairy with wings, launching into lanes of Oliver living legends, youtube rude and insta-famous. While Majah Hype remains ambiguous as to his indigenous, comedic lioness Bella Blair is unapologetic about her Jamaican genetics. She has been punching it on the Internet with the likes of “Poonchie,” a calling-card character, since 2011, blasting her Bella Blair Show and subsequent series. Bella Blair also caught eyes and ears with last year’s dancehall ditty “Good Gyal Anthem,” starring Poonchie, and the “Hotline Bling” parody, “Side Chick Bling.” BOOMSHOTS recently caught up with Bella at Irie Jam’s 23rd anniversary celebration concert during which Bella had made a well-received cameo. The Irie Jam appearance came amidst preparations for the official release of her island-pride-promoting single, “Jamaica,” a funky, sinister sonic, patois-peppered R&B tonic of a big up to Yard. Hard, smooth, cool and deadly on the rock steady with siren-like singing signifying that she ready. Video After The Jump… Read more »

HEAR THIS: Richie Stephens “Let’s Dance”

HEAR THIS: Richie Stephens "Let's Dance"

Crucial Steely & Clevie Production Rescued From The Hard Drive

When veteran musicians and connoisseurs of great music speak of the “good old days” there is an unfortunate tendency among some younger heads to roll their eyes and tune out. But what if they really don’t make em like they used to? How will the cultural traditions of any musical genre be upheld and kept alive without a portion of love and respect, not to mention patience and attention to detail? The greatness of Jamaican music, for example, was established by pioneers like Clement “Coxsone” Dodd. Countless immortal songs and instrumental tracks which originated at Dodd’s legendary Studio One have been passed down over the years and decades, creating a mighty musical legacy. John Holt’s “Let’s Dance,” for example, was first recorded by one of Dodd’s ace house bands, Sound Dimension. The original recording may be slightly lo-fi by today’s standards, but the brilliance of both the musicianship and Holt’s vocal performance are undeniable. A decade or so later, master saxophonist Richard “Dirty Harry” Hall produced a superior cover version, with vocals by the Cool Ruler himself, Gregory Isaacs. Both Dodd and Holt, Hall and Issacs have all passed away, but the music they made together lives on, built as it was upon a solid foundation. The latter recording inspired the great production team of Wycliffe “Steely” Johnson and Cleveland “Clevie” Brown, who laid down their own version of the sweetly lilting riddim track shortly before Steely took ill and eventually passed away on September 1, 2009. “Clevie just recently found back the riddim on a hard drive, and decided to voice Richie Stephens on it,” reports their associate and archivist Danny Pepperseed. This track will be featured on Richie’s forthcoming album Luv-A-Dub Style, which is due for release early next year. Judging by this tantalizing preview, the record can’t come soon enough. Listen keenly. Audio After The Jump…
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Sizzla Scorches New York City

Sizzla Scorches New York City

The King of Kings Mashes Down B.B. Kings

Outside the weather was watery, but pure fire blazed inside B.B. King Blues Club & Grill as Sizzla Kalonji took the stage of the storied Times Square centralized venue for the very first time early morning on October 22. In contrast to his previous New York City performance at Irie Jam’s 23rd Anniversary, his first in the area after an eight-year absence, Sizzla was without a live band and relied upon a selector to run the riddims. Unlike the open air of Irie Jam’s Roy Wilkins Park where the vibrations carried into the universe beyond, the confined vibes of the closer, more intimate space of B.B. King allowed the mystic to reverberate and pulsate to and fro, rebound off the walls and permeate the souls of the assembled. With Sizzla’s energy capable of reaching every individual in an unchained environment such as Roy Wilkin’s Park, to be exposed to his intensity amidst such intimacy was a powerful and sometimes overwhelming experience. Continues After The Jump… Read more »

Reasoning with Jack Scorpio: “Good Music Come In Like The Bible”

Reasoning with Jack Scorpio: "Good Music Come In Like The Bible"

Heartical Words of Wisdom From the Founder of Black Scorpio Sound System And Record Label

Among the many icons, legends and superstars we were able to link up at Irie Jam’s recent 23 anniversary celebration concert was elder statesman Jack Scorpio of Black Scorpio sound. A giant in the industry and among men, this powerful pioneer has had his hands on the careers of a cornucopia of crème de la crème cultural current creators from Dennis Brown and Gregory Isaacs to Garnet Silk and Luciano to Beenie Man, Buju and Mega Banton to Capleton, Bounty Killer, Barrington Levy and Shabba Ranks of Jamaica’s Order of Distinction.  As a man who has launched legacies and banged out hits with the best of the best, Jack Scorpio knows a thing or two about the rules of engagement in the love and war of Dancehall and Roots and Culture Reggae. “My history too long fi talk,” said the tall man dressed in full white—but with a bit of perseverance, we convinced him to give it a try, and he took the time to share his insights with the BOOMSHOTS TV cameras.

Jack Scorpio doesn’t come out to events often, but he was pleased that he attended Irie Jam’s 23rd anniversary and had positive vibes to share, especially of rising sun, Jahmiel, who he wants to work with, and the things Jahmiel had to share in terms of critiques of the current Dancehall culture. Scorpio likened today’s Dancehall to destructive drug dealing and called for balance. “Good music come like the bible,” he says, and it’s time for artists, and the selectors who play the chunes, to take it to the next level and make immortal music. Turn on and tune in as Jack Scorpio reasons on Dancehall dimensions, trends on the changing winds, and why hit songs with stamina and staying power solidify like Holy Scripture. Videos After The Jump… Read more »

WATCH THIS: Charly Black “Hustler’s Paradise (Henny Situation)” Official Music Video

WATCH THIS: Charly Black "Hustler's Paradise (Henny Situation)" Official Music Video

When The Top Trelawney General’s Under His Henny, Please Don’t Violate

“Whoooah!” Hailing from Jamaican parish of Trelawney, Charly Black first rose to prominence as a selector for Bass Odyssey sound system. He recorded his debut single “Woman It’s You” under the name Tony Mentol in 2004 and went on to change his name as he began working with Coppershot Productions (their tune “High Grade” is a certified Boomshot ganja anthem). His 2014 track “Gyal You a Party Animal,” voiced on Kurt Riley’s Jambe-An riddim, became an international hit, particularly in South America which led to a major label distribution deal. Charly Black’s latest release was produced by Thirty Six Degrees and distributed by the mighty 21st Hapilos with a video by Xtreme Arts that demonstrates the power of a bottle of Henny and some pretty girls. Video After The Jump…
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Peter Tosh Unchained: “I’m Not A Politician, But I Suffer The Consequences”

Peter Tosh Unchained: "I'm Not A Politician, But I Suffer The Consequences"

Don’t Sleep—The Stepping Razor Is Still Dangerous

“If you wanna live,” sang PETER TOSH beneath a full moon at Kingston, Jamaica’s National Stadium, “treat me good.” Standing firm as lightning flashed over the stage, the man called Stepping Razor spat bitter truths and ganja smoke in the faces of Prime Minister Michael Manley, opposition leader Edward Seaga, a gathering of their ghetto henchmen, and a large contingent of well-armed police—while thousands of Kingstonians bore witness. Tribal war between gangs loyal to Manley’s socialist PNP and Seaga’s right-wing JLP had claimed too many lives since the 1976 general elections, so on April 22, 1978, a big reggae show was held with the explicit aim of easing the tension. That same night, Tosh’s former bandmate Bob Marley managed to bring Manley and Seaga onstage for a symbolic joining of hands that did not exactly bring an end to the violence. It did, however, become an iconic tableau within Marley mythology, thanks in part to the documentary, Heartland Reggae. Tosh, on the other hand, refused to allow any American “pirates” to film his hour-long set. Thankfully an audio recording survives, preserving the songs and speeches that nearly cost him his life. Story Continues After The Jump… Read more »

HEAR THIS: Skinny Banton “Jab Behavior”

HEAR THIS: Skinny Banton "Jab Behavior"

New Single Causing A Soca Frenzy

The song, “Jab Behavior” is creating a hysteria well in advance of the upcoming Carnivals in Trinidad and Tobago and Carriacou.  The song contains a tantalizing riddim produced by Hector “Legz” Thomas and  Skinny Banton signature vocals.  In the song, he uses his native tongue with deep vocals to describe  jab culture.  In 2011, Skinny Banton won his first People’s Choice title and then consecutively in 2012 and 2013. He won the 2012 Soca Monarch Competition in the Tri-state of Grenada, Carriacou and Petit Martinique, and in 2013 he was crowned the Road March King. The sky is the limit as this artist continues to distinguish himself on a international level with his songs. Audio After The Jump

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Clive Hunt Pays Tribute to Bobby Ellis

Clive Hunt Pays Tribute to Bobby Ellis

Legendary Producer Remembers Jamaica’s Late Great Hornsman

One of Jamaica’s most accomplished musicians, trumpet master Bobby Ellis, died on Tuesday at the University Hospital of the West Indies. The Jamaica Observer reports that he was admitted in late September suffering from pneumonia. During his 84 years on earth, Bobby Ellis and his trusty horn made a mighty legacy. A graduate of the famed Alpha Boys School, he often played alongside fellow alumni Tommy McCook, “Deadly” Headley Bennett, and the immortal tromphonist Don Drummond, and was awarded the Order of Distinction in 2014 for his outstanding contributions to Jamaican culture. His session works are too numerous to mention, from Boby Andy’s “I’ve Got To Go Back Home”  to Burning Spear’s classic Marcus Garvey album. Mr. Ellis arranged the horns for Jack Ruby’s stellar Black Disciples band and toured extensively with Spear over the years. He also collaborated with the noted jazz artist Herbie Mann. As news of Ellis’s passing has spread, numerous tributes have appeared on social media, but few more moving than that of legendary producer Clive “Uglyman” Hunt. Story Continues After The Jump… Read more »

WATCH THIS: Lutan Fyah “Sweet Trichomes” Official Music Video

WATCH THIS: Lutan Fyah "Sweet Trichomes" Official Music Video

Brand New Visuals Fi Di Ganja Man Dem

Born in Spanish Town, Jamaica Lutan Fyah studied architecture and played professional football before launching into a music career in 1999. Cutting early records for Buju Banton’s Gargamel label, he would go on to collab with such culturally inclined artists as Lucinano and Turbulence. On his latest release, produced by Tim Dub, Fyah goes beyond the usual ganja tune cliches, giving a botanical lesson on the definition of “trichomes” and how these small glandular hairs growing from the epidermis of herb buds relate to the cultivation of the cannabis plant. Video After The Jump…
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